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Monday, September 17, 2018

More Transfer-printed Dishes.

In the 1870s, people got tired of the Romantic scenes on their dishes. The Aesthetic Style Had a frenzy of elements in the center of the vessel. The central scene of many dishes featured scrolls, flowers, foliage, birds, and butterflies.


 Beatrice, Wedgwood, 1880.



 Cairo plate, Copeland, 1883.


Excelsior, Old Hall E. Ware Co., 1880-1886.


Unknown pattern, Ridgway Stoke on Trent, 1880.



Summer time, T. & R. Boote, 1878.

Other people preferred more simple designs of flowers.

Unknown pattern, Belleek.

Daffodil plate, Wm. Grindley & Co., 1882.

Spring, Wm. Grindley & Co., 1886.






Version 55.



Wednesday, September 12, 2018

Blog Post 2800. Fifteen years ago I started this blog, fretting about turning 40. Back then I was young, had been single for 10 months after being dumped by the boyfriend of five years. It was a different time, I cannot say that today I am the same person because I have done a lot more things, met new people, perhaps grown up some more, seen my pets and loved ones die. I have done some things I had really wanted to, but there are more that I haven't.

Currently, I am not dealing well with Mother's death. I push it back into the back of my mind. Sometimes I forget. At night and early in the morning I often dream about her. I have a pile of papers I brought back that I have made a point of not going through. I occupy my mind with other things. I miss her.


I was at the Presidio museum setting things up for our volunteer dinner. A woman was there and I asked her if she wanted a tour and she said yes. I took her around, telling her the history of the area. She mentioned that her ancestors had lived in the Presidio and as it turned out his picture was on one of the signs. I told her that the family was in the book that I wrote that lists all of the people who lived in Tucson between  1775 and 1856. She was very happy about that and asked me to sign the copy she purchased.

The author.

Afterwards we had a nice volunteer dinner, I made a pineapple upside-down cake and mango salsa. Next weekend is our first fundraising dinner, we are hoping to raise a few thousand dollars.

Friday, September 07, 2018

Transfer printed dishes. If you have been to my house you will see my kitchen walls are mostly covered by antique dishes, as well as the open-faced cabinets above my sink. They range in date from the 1820s to the early 1900s. Recently I have acquired some new pieces and decided to research them and collect some data on all of them.

Collection, part 1.

Collection, Part 2

Transfer printed vessels were created by placing thin pieces of paper onto inked plates which had designs on them. Some of the designs were copied from prints found in books, others were created by artists employed by the ceramic manufacturers. Most vessels have a central scene with a separate design around the rim.

The earlier transfer prints are often "Romantic" scenes which could include view incorporating Chinese, Arab, Classical, or Countryside scenes. These were popular up into the 1870s.

Chinese Landscapes soup tureen, Hicks, Meigh & Johnson, 1822-1835.

Milesian plate, J. Wedgwood.

Unmarked plate. This plate has the same border as the one above.

Minerva plate, Podmore, Walker & Co., circa 1834-1859.

Fountain plate, E. Woods & Sons, 1818-1846.

Palestine plate, Adams.

Acropolis bowl, J. M. S.. 1830-1845.

Foliage plate, unknown manufacturer.

Susa plate, Charles Meigh, Son & Parkhurst, 1850-1851. This is from my grandmother's china cabinet.

Lozere creamer tray, E. Challinor, 1842-1867.

Mesina plate, Wood & Challinor, 1828-1843.

Sirius small plate, James Edward, 1839-1841.

Corea plate, J. Clementson, 1840-1864.

Cyprus plate, Davenport, 1820-1860.

Ailanthus plate, C. & W. K. Harvey, 1835-1853.

Unmarked large platter.

Unmarked small tray.


Unmarked small tray.

Birds & Fruit plate, Charles Meigh, circa 1850.

Asiatic Pheasants platter, unknown manufacturer.


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